WE’RE IN THIS THING TOGETHER

There is a spiritual that contains the words, “There is trouble all over this world.”

Trouble broke out at airports all over the country today because of the President’s executive order that effectively bans the entry of individuals from seven Muslim countries. Purportedly, people were either detained at airports, or were denied entry and sent back home.

As I read through the thread of a Facebook friend, I saw a comment about how people, in their frustration, were destroying their own cities.

The words of a Gary Byrd song came to me: “Every brother ain’t a brother…” In other words, those who appear to be in step with me sometimes have their own agenda.

Then this came to me:

·anarchy
ˈanərkē/
noun
a state of disorder due to absence or nonrecognition of authority.

Make sure you know all the players on your team. Not all perceived “chaos” is spontaneous. Sometimes it’s opportunity waiting for the right moment.

Stay Woke!

Advertisements

DON’T FENCE(s) ME IN! Pt. 1 (Spoiler Alert)

From my perspective, the movie “Fences” is staged like a play, which is fine with me though it was a little offputting to others.

“Fences” is an ensemble of characters but the spotlight is on Troy Maxson, the teller of tall tales and the holder of unrequited dreams.

Everyone is fenced in by something, but there also fences that separate them from some things and some people. In the character Bono’s words, “Some people build fences to keep people out and other people build fences to keep people in.”

Troy wonders why his wife Rose wants a fence, ‘What is she keeping out?” Bono speculates that perhaps she is trying to hold on to him, to keep him in.

Bono later wonders out loud to Troy why he chose hardwood to build that fence when softwood would have been so much easier to handle. Troy has only known the hardwood of life. Even his favorite game, baseball, is about hardball.  We learn throughout the movie that Troy’s life has never been soft.

Movies often require the viewer to suspend disbelief. This movie presents a reality to which many African Americans, a few generations back, can relate. No need for them to suspend disbelief because the movie grabs you by the cultural throat right out the gate and it won’t let go.

The movie opens with two men hanging on the back of a garbage truck. They are garbage men (whom we later learn are Troy and Bono), men who spend their days picking up and dumping the refuse of others of which some residue surely settles on them. Life has not been a bed of roses for them. Life has dumped its garbage of hate and denial and exclusion on them and they have learned how to ignore the stench.

‘Fences” is more than the movie title; it is the thematic thread that slowly unravels in the movie.

This is Troy’s story. The influence of the wife is sensed more that stated. Still, her interjected comments as he tells his tall tales remind us that she does have a voice, a part in their story. She, Rose, appears to be periperal but near the end of the movie we see that she has been the linchpin that held everything together inside the fence of their marriage.

Everyone is in survivor mode.

Troy is fenced in by his marriage to Rose, yet there is a fence that separates Troy and Rose in the marriage. It is the fence of loss, the loss of a father who should have loved him; the loss of a dream of playing baseball in a time that “never should have been too early;” it is the loss of the innocence of youth at fourteen when he became responsbile for the rest of his life.

He loves his wife. He brings his paycheck home to her every payday. He laughs and flirts with her in front of his friend. He loves his wife, supports his family, but loss keeps that fence in place between what he has and what he wants and what Rose thinks is in place.

Troy feels burdened by the responsibilities of the marriage while Rose believes she has given up all that she is for the marriage.

It all comes to a head when Troy confesses his infidelity to Rose and tries to explain why he has found freedom in another woman’s arms: “It’s just [Alberta] gives me a different idea, a different understanding about myself.  I can step out of this house [this fence].  I can be a part of myself I ain’t never been. I can sit up in her house and laugh; I can laugh out loud. I can forget about myself!”

Troy states, in his own frustrating way, that the other woman allows him to be a different man. He sees himself in a holding pattern, responsible for his family but along the way he forgot about imself: “I done locked myself into a pattern trying to take care of you all that I forgot about myself.”.

Rose realizes in this agonizing gut punched moment of Troy’s revelation of not only infidelity but also an impending birth, she realizes that she has placed all her feelings, all her wants and needs inside of Troy. While he has wrestled with the realization that he has been standing in the same spot for eighteen years, she also has stood in that same spot with him. He repays her giving up of herself with his unfaithfulness. Rose does her best to explain her own hopes and dreams, how she buried all her feelings in him and held on to him even through her darkest times. She lets Troy know that, yes, he gives to them, but he has also taken from them as well.

Rose has allowed herself to be subsumed by Troy in order that together they might survive. Now she hears from him, after she has given up her freedom for his survival, that he had to step outside her fence to find respite with another woman. This a brutal slap in Rose’s face, made even more brutal by the fact that Troy now expects her to give him room to breathe that fine air of freedom because he has no intention of giving up Alberta.

In the final scenes of the movie, Rose defines her place in that fence of marriage to their son, Corey: “I wanted a house that I could sing in, and that’s what your daddy gave me. I didn’t know to keep up his strength I had to give up little pieces of me. … It was my choice. It was my life and I didn’t have to live it like that.but that’s what life offered me in the way of being a woman and I took it.”

Over the kitchen sink in the Maxson house hangs a picture of an European Jesus. The gospel song, “Jesus, Be A Fence All Around Me,” plays in one scene. Rose is almost always in the kitchen, cooking or cleaning. She offers food to every person who comes to the house. She is the nurturer, the sustainer of life within the fence of their marriage, giving of her own strength in order that her family might continue to survive.

Life continues to throw hardballs at Troy. Alberta dies in childbirth. Rose agrees to raise the innocent baby but Troy is now, in her own words, “womanless.” Gabe, his brother (for another blog) is now in an institution. Bono, his friend, plays dominoes with new friends. Rose has stepped into a new fence, the Church. Troy drinks alone in a bar.

The physical fence is complete but it is the only thing still intact. Nothing else is the same. Not Troy, not Rose, not the fence that once surrounded their marriage.

 

 

WAITING TO EXHALE

Most of us have felt it

That “Oh, no!” feeling in the pit of our stomach

We are running late

Dash out to the car

Keys in one hand

Everything else in the other

We hit the remote to open the car door

Jump inside

Shove key into the ignition

And

We get nothing

Except that sickening little “click, click, click”

Which screams at us

BATTERY DEAD!

Still it is your lucky day

You have roadside service

They ask, “Are you in a safe place?”

You respond, “Yes”

But sometimes the fates are not so nice

Sometimes your car quits on you

Gives up the ghost in the most unfriendly places

Like in the middle of an intersection

Or a city street

Are you safe?

You sure hope so

Hope that other drivers see you are stuck

In the middle of the road

And drive around you

Then they arrive

You breathe a sigh of relief

Hopeful for help

But you also hold your breath

Because

They are the police

Called to protect and serve

But they are also white

And

You are black

And

You are male

You raise your hands

And you pray

Just before that first shot

Just before the searing impact of bullet against flesh

Just before that last heartbeat

You pray

That you are safe

But

You were not

You bled out in that unfriendly place

And the morning after

The media blows smoke and screams

“Angelina Jolie Files For Divorce From Brad Pitt”

As the rest of us

Who are left behind

Who continue to hope and hold our breath

Whenever we see black and white

Human and inanimate

We are left behind

To

Contemplate strange fruit

That no longer hang from trees

 

image

 

 

 

 

 

 

YESTERDAY, ALL MY WORRIES SEEMED SO FAR AWAY

It is a quiet invasion

Something akin to “The Invasion Of The Body Snatchers”

The movie classic about aliens who come to earth and duplicate humans

Plant pods that replicate the human when the human falls asleep

The duplicates look like the original but they can’t quite capture the persona or personality of the human whose body they have snatched

Yeah, exactly like that

The quiet invasion of which I speak

Begins one root at a time

Black strands no longer connect to the scalp

Instead insidious gray roots

Crawl in

Duplicates

Nothing like the original

Stubborn and wiry

Refuse  to be tamed

Refuse to hide

The goal, conquer all

Lulled into a false sense of security by Lady Clairol

You drop your guard

But one day

You look into the mirror

Just an innocent glance

Then a double take

In the reflection you spy the second wave

Your chin under Gray attack

Hair grows where it never grew before

The first wave of that second wave is black

Irritating but not easily spotted by outsiders

Don’t drop your guard

The Grays are on the way

You will lose the Battle of the Chin

A never ending battle

Long gray hairs sprout

Grow from an unwilling chin

Tweezers are your weapon of choice for a counter attack

But you must remain vigilant

Ever watchful

For the enemy does not rest

Until it has conquered all

Gray in unmentionable places

Clothes that cover the saving grace

Even so

You will eventually realize

The Grays are always victorious

The moment you begin to pluck at them in your eyebrows

Until you realize all that is left

Are remains of what once was

Forlorn patches of hair

That will never return to glory days

Hover over surprised eyes

No need for a white flag

The Grays have already raised it

DANG!

image

 

image

 

 

 

BLACK LIVES MATTER?

I am African American

I also identify as Black

But I don’t have to tell anyone this fact

As soon as you see me you know

I am African American

I am Black

Raised in an era where I was commanded to stay in my place

i have never been unaware of the inderground racism of America

Unfounded presumptions about me and my community

I have been the “only one” many times

From my first real job in 1969 to my last real job in 2014

I have done private sector, government and education

In each place I worked harder to prove the doubters wrong even as they questioned my right to be in their presence

Today’s climate of unfettered racism, though a disappointment, is no real revelation to me

Which is why I feel compelled to address this hot spot of “Black Lives Matter”

Responses are appreciated, but reflection (rather than reaction) is encouraged first

*******
A View From Monday

Why should Black Lives Matter?

Because for too long they have not mattered enough. Seen as a monolith rather than individuals, the lynching/murder of one equals the lynching/murder of all in our collective hearts. In the minds of the silent majority, not so much. Such horrors viewed in silence is tantamount to assent, pretty much like those viewing parties/picnics held back in the day at the foot of a tree upon which hung strange fruit harvested in southern soil.

Yes, Black Lives do Matter to us; it is our assertion of the right to our humanity, to live without fear of of being accosted and harmed without reason or logic while the society that surrounds us can blithely devalue our loss, condemn our anger, reject our pain and question our frustration by demanding that we relinquish our sovereignty to their command that All Lives Matter.

All Lives do Matter, but when you reject my right to point out that the value of my life is too often subjective, allow you to defame character in death as though execution was warranted and long overdue, that we must be the first to forgive when our hearts are broken, then we have a problem. Until this changes, our assertion must continue to be because All Lives Matter, Black Lives Matter, in fact, Black Lives Must Matter.

 

 

GRACE UNDER FIRE

The old man sits silently on the steps of his front porch.

These are his thinking steps.

“Always thinking,” his wife used to mutter to herself, “Always thinking!”

Miz Mae never really understood her husband’s quiet ways, his continuous reflections on the curiosities of life.

“Always thinking!”

The old man sits on the steps and stares down the street to the corner where some young boys stand discussing whatever it is young boys discuss these days.

“Hey, old man!”

Rufus, a longtime friend, shuffles up to sit beside his old friend.

It is a daily routine for these two, old friends sitting side by side on the stoop talking and listening to one another.

The old man clears his throat, a sure sign he is about to speak on something he has been thinking about for quite some time

“You know, Rufus, we as a people personify grace under fire.”

He rubs his gray grizzled chin as he speaks.

“Whut you mean by “puhSAHnuhfie?” The old man’s friend often wonders where his friend learned all those big words.

“It’s like we look like grace under fire, like if grace under fire was human, it would look like us.”

“Uh Hmmm.”

Rufus tries to make himself sound like he really understands the old man when he “speech-a-fies” but the truth is that he almost always has a hard time following his friend whenever he uses those big words.

“Yep, grace under fire, that’s us.”

Whenever the old man speaks of “us,” he means African Americans

“Grace under fire is the real story of us, you know, Rufus?”

Rufus grunts assent and waits for the old man to expand on his thought.

“Yes sir, they ripped us from our native land. The smells, the sounds, the taste of home was our only luggage on the middle passage. They dragged us onto foreign soil, alien tongues assaulted our native ears. Our language was whipped out of us and we were forced to speak a foreign tongue they did not teach us but when we finally learned to speak what we thought we heard, they laughed and called us ignorant. They did not recognize our genius, did not see the majesty of our being!”

“They barely named us, treated us worse than that stubborn old mule that refused to pull the plow. They beat us and expected us to love them unconditionally, bowing and scraping whenever they were around, had us mammy their babies and bear children forced upon our women by the master’s rough hands.”

“The sounds and the smells and the tastes of our native land were forced out of us. We swallowed our sorrow, mingled tears with sweat and endured the angry bite of cotton bolls picked in the scorching heat of every day.”

“They force freed us then designed a new bondage named after a minstrel song that foisted violent servitude upon us, brutal acceptance of their inhumanity. They hung us from trees while they picnicked and took trophy pictures like hunters on a safari.”

“We endured it all, wept through it all, buried our dead too young, muted our anger, wrapped ourselves in our frustration and waited and waited and waited for real freedom  ”

“Well, freedom finally caught up with us, we thought, but it came with conditions attached. Stay in your place, accept what we say is right for you, be grateful for the crumbs we half-heartedly throw to you, walk through that open door then work twice as hard to prove your worth.”

“We worked hard, we assimilated, we embraced our natural roots, we expected more but each day we received less and they wonder why we are not satisfied.”

“But, dagnabit, look at us Rufus, we are still here, still climbing Mr. Hughes’ torn, worn stairs. We are still striving, still pressing, and Rufus, we ain’t rioted full scale across the country, yet, not even when they  killed Martin or when Malcolm died, not even when they killed our boys, our girls, our men, our women. Our souls have been tried. Our spirits have been bruised. Our hearts have been burdened. Our tears have been bitter. Our losses have been huge. But, even so, we held on to hope, we still hold on to hope. They still killing us but we still get up in the morning. We still laugh. We still dance. We still sing. We still love. We still marry. We still have children. Shoot, we still like sex when we have the energy!”

Rufus chuckles then looks around to see if anyone heard that last comment his friend made.

“We have not yet reached the end of our rope but I’m mighty a-feared that the rope of our hope is getting shorter, that the fuse of our anger might be about to be lit for a great explosion of retribution. I pray that peace prevails and that equality, one day, will one hundred percent win. That is my prayer. It’s my prayer for our land, Rufus. Its my prayer for us, too.”

Rufus blinks a few times as he chews on the old man’s words. He is both proud and afraid at the same time but he sits up a just a little straighter, squares his shoulders and says,

“Yessuh, we sho have puhSAHnuhfied  grace undah fiyah, yessuh, we sho have. ”

image

 

 

 

 

 

 

 

IMITATION, SINCEREST FORM OF FLATTERY?

Sunny Hostin and Whoopi Goldberg Clash Over Whether Black Women Wearing Weaves is Cultural Appropriation

image

My definition of Cultural Appropriation: A group “takes” what is my legacy, something my ancestors created, that which has been passed from one generation to another as a honored and often sacred tradition but you laughed at it, devalued it, called it hood and ghetto until you begin to see it as trendy, a thing to do or have so you now consider it, evaluate its worth for your brand, your market, your sense of style and you “take” it, rename it and claim it as a new thing/creation and you choose (intentional or not) not to acknowledge or even admit the true source of its elegant majesty.

How an individual chooses to dress or how they style their hair is of little consequence to me but when it becomes an issue of cultural pride and relevance what I need from the “new” user is that they acknowledge and value the origin of their “new thing.”

You see, my community is so used to being ignored, devalued and overlooked that when our legacy, our ancestral tradition/legacy is assimilated, subsumed, absorbed, consumed and renamed by those who have no clue to the why of our pride or they are not even interested in its origin or sanctity within a community, we call it as we see it, OFFENSIVE!

I love the maxi skirts made of African cloth and recently was gifted with three. I have worn one and I love how I feel when I wear it, how it looks on me. But, recently, I read an article/blog by an individual from Africa who called us out on making their heritage, the cloth, into a fashion statement. This concern certainly has made me more conscious of how my choices, innocent though they may be, may appear frivolous and offensive to the group of origin. I will wear my skirts but I will also do my research on the cloth and its “history” so that I may consciously honor the group and their ancestral legacy through my acknowledgement of its cultural roots and pride of heritage when I am complimented.

image

We must all become just a little more sensitive to how our choices appear or impact others especially when it comes to those “products” of culture.

“THE NEGRO SPEAKS OF RIVERS” ~Langston Hughes

I’ve known rivers:
I’ve known rivers ancient as the world and older than the
flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I’ve seen its muddy
bosom turn all golden in the sunset.

I’ve known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers